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Tag Archives: Microphone Fiend
Hip Hop History: Part II
Hip Hop History Part 2: 1983 to 1988 Part 1 can be found here. Sucker M.C.’s (Krush-Groove 1) by Run-DMC (1983). It is hard to overestimate the impact of this trio from Queens on the genre. We’ll talk about how they … Continue reading
Posted in Culture
Tagged 6 'n the Morning, Aerosmith, Afrika Bambaataa, Alonzo Williams, Beastie Boys, Beat Box, Beat Street, Beat Street Breakdown, Body Rock, Boogie Down Productions, Breakin, Bring the Noise, Buffalo Gals, By All Means Necessary, Cavern, Children's Story, Chuck D, Coldcut, DJ Spinderella, Doug E. Fresh, Eric B. & Rakim, Fat Boys, Flava Flav, Follow the Leader, Give It A Rest, Grandmaster Flash & The Furious Five, Grandmaster Melle Mel, Herbie Hancock, Hip Hop History, Human Beat Box, Ice-T, It Takes a Nation of Millions to Hold Us Back, Jail House Rap, Jam On It, Kill That Noise, Kraftwerk, KRS-One, Krush Groove, La Di Da Di, Licensed to Ill, Liquid Liquid, Malcolm McLaren, Marley Marl, MC Lyte, MC Shan, Microphone Fiend, My Philosophy, N.W.A., New York New York, Newcleus, No Sleep Till Brooklyn, Paid In Full, Part Time Suckers, Peter Piper, Public Enemy, Push It, Queen Latifah, Raise the Roof, Rebel Without A Pause, Rightstarter, Rock Box, Rockit, Roxanne Roxanne, Roxanne Shanté, Roxanne's Revenge, Run-DMC, Salt-N-Pepa, Self Destruction, She Rockers, Slice, Slick Rick, Slow and Low, South Bronx, Stop the Violence Movement, Straight Outta Compton, Sucker M.C.'s (Krush-Groove 1), Surgery, Sylvia Robinson, The Art of Noise, The Bridge, The Bridge is Over, The Furious Five, The Juice Crew, The Show, Tour de France, Trevor Horn, UTFO, Walk This Way, White Lines (Don't Do It), Wild Style, World Class Wreckin' Crew, Yo! Bum Rush the Show
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