You Can’t Live in the Songs of People Who Do Not Know Your Name

The quote–which I love–comes from a comment on Yvonne Adhiambo Owuor’s Dust, which I very much enjoyed. This comes from the always impressive Africa Is A Country folks:

http://africasacountry.com/lots-of-little-kenyas-a-conversation-with-yvonne-adhiambo-owuor/

I have not listened to the interview, but I was struck by the long quote describing Dust which, while not at all from my perspective, captures, I think, what captivated me about the story, namely

… Dust tackles some big questions inside the story of a family tragedy — a man is killed right at the beginning of the novel and his sister wants to know why. What does Kenya mean? How do English, Swahili, Silence and Memory serve as national languages? Ah, but the beauty of the novel lies in Owuor’s excellent ear. She uses Luo, Kikuyu, Swahili, Turkana among other Kenyan languages liberally and nails local accents so beautifully it makes me want to cry. Msee, and I can hear it. Mzee, and I know that it’s someone else and where he or she is from. If Kenya is a colonial construct, it’s also a collection of myths. “You can’t live in the songs of people who do not know your name,” is a cynical refrain, but perhaps, some day we can. For those who need verbs to temper the lyrical prose, be assured that I found three: see, feel, hear. It’s a very good novel. Read it.

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@The Movies with PopPop: Twenty Feet From Stardom

Twenty Feet From Stardom is the Oscar-winning 2013 documentary about some of the great (mainly black) back-up singers of the last half of the 20th century and their occasional pursuits of solo careers. Merry Clayton, Darlene Hill, Claudia Lennear and Lisa Fischer are among those highlighted through interviews (with them and the likes of Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting) and archival footage. If you like the music and a set of fascinating stories, you’ll love the movie.

My only issue with it was a continuing undercurrent that seemed judgmental about making it/not making it in a solo career; an insufficient recognition of the two pathways.

But the movie, and the DVD (from Netflix) extras were wonderful.

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WWC2015: Group Match 1 Thoughts

{Written after viewing all of the initial group games in the 2015 Women’s World Cup}

Canada’s World Cup has started with an odd mix of the scintillating, the sublime, and the snooze-worthy. Some miscellaneous thoughts on the games so far, focusing, quite predictably, on some of the younger players involved.

  • Canada was fortunate to gain their three points, and need to be much, much better if they want to challenge in front of the hometown fans. Here’s hoping Jessie Fleming both gets more time and does more with the time she’s given. Here’s the thing: it’s not that rare for a defender or a striker to make their debut at a young age: sometimes you just have a kid that is bigger, stronger, faster than everyone in their age group. But a central midfielder? That’s a different situation entirely, and it’s part of why Fleming (and, in an only slightly lower key, Morgan Brian) has so many people so excited.
  • Vivianne Miedema (ah, we remember when she was simply Anne, dominating the U17 brackets) got all of the attention and, yes, had a solid game. But Lieke Martens isn’t exactly a grizzled veteran, and her strike for the Dutch win was amazing. Overall, I thought the Netherlands played very well against a game Kiwi side who was, at the end of the day, outclassed. I was struck (as were many others) by how determined the Dutch were to “play the way they were facing.” A good lesson there for young players about making the game simple, retaining possession, and all that.
  • The two initial games in Group B were indicative of some of the current difficulties in the game. One of the signs of a sport that is still maturing is the gap between tiers of teams: if there is an argument against the expansion of the number of teams, this is it. We really didn’t learn much about Germany or Norway from their initial games, and the matches did little other than position a few players as more likely to win the Golden Boot. Was Germany impressive? Of course. But the performance against the Côte D’Ivoire does little to prepare them for Norway. Still, if they run out a first team lineup against Thailand, it will be interesting to see if they can put up another double-digit haul of goals. If nothing else, their confidence should be sky high for the second round.
  • It was nice to see Sara Däbritz score and Leonie Maier start, but it’s more important to see if Melanie Leupolz is healthy. Leupolz is, for me, the standard-bearer for the next generation of German soccer, and her absence would be felt by the national team, even at her age.
  • For Norway, it was great seeing Ada Hederberg play so well. She should be a dominant force in the game for the next decade: strong, smart, good in the air, good off the ball. Complete package.
  • I did not anticipate Cameroon drubbing Ecuador like that. They looked good, but clearly suffer from some of the same illusion as mentioned above. However, neither Japan nor Switzerland were particularly impressive, so perhaps they have a shot. Gaelle Enganamouit and Gabrielle Onguene deserve all of their plaudits, but (I know, predictably) I remain a big fan of the hard work that Raissa Feudjio (still a teenager) does in front of their back four.
  • It’s hard to find positives for Ecuador, especially defensively, but sixteen year old Kerlly Real survived at right-back for them, and just that experience will serve her well. Sixteen years old, 26 international caps and not a GK or an imposing physical specimen.
  • If Nigeria can defend a set piece, they could do some damage, right? As nice as it was to see Osinachi Ohale (who became a family favorite last year, when she went from walk-on to regular starter for the Houston Dash), she has to take some responsibility for two of the goals. FIFA’s official stuff can be so odd (great week for that sentence, huh): their tactical sheet for the match shows Ohale as a right-back, which is just wrong. It also shows both teams in a straight 4-4-2, so …
  • The France – England game was the disappointment of the round for me. Granted, playing in gale force winds is no fun, but still … I still think France is the dark horse of the tournament, but they’ll need to show far more; and England seemed more concerned with only losing by one than, you know, doing anything themselves.
  • Cecilia Santiago has been around forever, and is still only 20. But she seems to have regressed in her fundamentals, consistently making oddly maverick choices around the penalty area. I don’t know if it was an off day, if she was told to take more risks by her coach, or if she has stalled in her development. In any case, I hope she turns it around. Mexico seems to be trying to duplicate history: their backup GK for the WWC is another 16 year old, Emily Alvarado.

Looking Forward …

I see wins on Thursday for Germany, the Netherlands, the Côte D’Ivoire, and Canada (although I think New Zealand could surprise if Canada does not raise their game, and Norway will prove a much sterner test for the Germans).

On Friday, look for Sydney Leroux to tear Sweden’s defense apart with her speed, and for Nigeria to give Australia as much as they can handle. The Japan – Cameroon match will reveal a lot about Group C.

On Saturday, England is in a “must win” situation (or, at least, must tie), and I would not be surprised if Spain surprises Brazil: they have the talent, and Brazil looked awfully flat in their opening game.

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Pain & Excitement

Chapter 3 of In Time has been a slog. It’s been a slog because, fundamentally, I kne/ow that something was very wrong with it. It was too slow, too drunk, and too unclear in getting Elliot acting on his primary motivations.

I got fantasticallyamazinglywonderful feedback from my critique group on chapter 1, and the changes that are needed there–which are definitely needed and are spot on–left me with the opportunity to really reconsider chapter 3.

So, with a lot of help from M, I did.

And it feels like the new direction is right, and while there is a strong sense of sadness and dread on undoing months and months of work (some of it is reusable, much not), there was, this morning, for the first time in a long time, a sense of excitement when I sat down to write, a sense of something emerging that was compelling to me as a writer, something that I wanted to follow along to see what happened.

That’s encouraging.

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Have You Tried Turning It Off and On?

We’re rebooting. I mean, we barely booted the first time. But it feels like the right time to write a bit more publicly about various things. So, I’m going to try that.

Initially, look for thoughts about the football (no, not hand egg–proper football, currently the Under-20 World Cup and the Women’s World Cup), the writing process, and a large backlog of @TheMoviesWithPopPop to emerge over the next weeks.

Beyond that, who knows?

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@The Movies with PopPop: Mr. Turner

We saw Mr. Turner — and it far exceeded our expectations! It’s a biopic focusing on a couple of decades of the life of JMW Turner, the British landscapist who reached his pinnacle in the late 1800’s, the focus of the movie. The film has great acting, a wonderful color palate and a quite absorbing story; it’s perhaps 15 minutes longer than need be.

Turner was apparently quite an interesting dude. Though of lower class origins, he learned to get along with the academic art establishment of his time, and through a grunting, almost inarticulate exterior, shows a range of caring and empathy that is conveyed by Timothy Spall in a performance that is if not the best, is one of the best of the year.

Well worth seeing.

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@The Movies with PopPop: The Past

The Past is an excellent 2013 French-Iranian film written and directed by Asghar Farhadi (the auteur also of 2011’s A Separation).

An Iranian, Ahmad, married to a French woman, Marie, from whom he’s been separated for 4 years, returns to France to complete the couple’s divorce. His soon-to-be-ex-wife and her two daughters (Lucie, about 17 and Lea, 10) from an even earlier marriage, are now living with Samir (an Arab) whom she wishes to marry and his 5 year old son, Fouad. The story unwinds slowly and deeply, with wonderful acting from the adults and the children, and extraordinary capturing of the emotional realities.

Lucie is doggedly opposed to the new relationship, seemingly because Samir’s wife Celine remains alive in a deep coma following a suicide attempt that Lucie believes has been triggered by Marie and Samir’s relationship. Marie asks Ahmad, who has continuing positive relationships with Lucie and Lea, to try to negotiate what’s going on. There are complications…

The movie is totally absorbing, avoids becoming melodramatic, and reflects well the differing realities of all involved. Well worth it!

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@The Movies with PopPop: Mud

Mud is a film that I think should have gotten more attention than it did.  It’s essentially a fable located on the Arkansas River.  Two 14 year olds have discovered a boat in a tree — deposited on an island by a hurricane — and when they go to explore it, discover it’s being lived in by a man named Mud, played wonderfully by Matthew McConaughey.

Mud and the boys befriend each other, help each other, grow and learn some lessons of the adult world from each other.  Mud has a girlfriend whom he worships — undeservedly so — and he’s killed a man because of her.  He wants to fix up the boat so he can use it for an escape from the killed man’s relatives who are closing in on him.  The families of the boys get enmeshed in the story.  It’s a rural tale of decent folks with remarkable tenderness and freedom.  At 14, in the waterland where they live, the boys drive boats and motorcycles, help sell fish and dig oysters.  The ending is a bit over-fairy taleish, but the movie is well worth your time.

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@TheMovies with PopPop: All Is Lost

All is Lost, starring Robert Redford, a sinking sailboat and a life raft, is a remarkable movie. It has essentially one word of dialogue, a very loud fuck about 1/2 way through.

While the direction and cinematography are excellent, it is Redford’s performance that makes this remarkable — and not only in whatever the limited genre of solo films would be (Gravity let George and Sandra keep company). His character is his age, 76, and his age is an important part of the role. He, the character, is also someone who is calm, knows the water, knows his boat, can fix and manage — and that makes the increasing stress and approach of fate work even more powerfully.

See it; you’ll appreciate it!

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@TheMovies with PopPop: Nebraska

Nebraska is a good if not great movie with a first rate starring role for Bruce Dern, an actor whom I’ve always liked (to say nothing of his daughter…).  It’s a tale of a guy in his late 70’s or early 80’s who deludes himself into believing he’s won the million dollar prize from a Publishers Clearing House kind of thing, and wants to go to Nebraska from his home in Montana to collect his prize.  He’s clearly beyond his prime, physically and mentally, a life long drinker.  After he’s turned back by cops once, by family other times when trying to walk to Nebraska, one of his two sons — also with a somewhat problematical life — decides to drive him.

Eventually Dern’s wife and other son meet up with him in Hawthorne, NE where his brothers and their families live.  Prize pick-up is in Lincoln.  Film is in black and white.  Various adventures, mainly problematical, but some not, occur and the difficult father-son relationship becomes better, and eventually enriched.  The acting is uniformly first rate.

It would be difficult for those of us who’ve spent most of our lives in cosmopolitan urban settings not to see the Nebraskans as perfect stereotypes, creatures somewhat lower than ourselves.  I was pleased to have had the experience I had working with various scientists and engineers from Nebraska while doing my AZ work, and so was able to escape that.

It’s a movie worth seeing and being reflective about, and it’s great to see the courage and complexity that Dern brings to a starring role.

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