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Category Archives: Culture
Hip Hop History: Part II
Hip Hop History Part 2: 1983 to 1988 Part 1 can be found here. Sucker M.C.’s (Krush-Groove 1) by Run-DMC (1983). It is hard to overestimate the impact of this trio from Queens on the genre. We’ll talk about how they … Continue reading
Posted in Culture
Tagged 6 'n the Morning, Aerosmith, Afrika Bambaataa, Alonzo Williams, Beastie Boys, Beat Box, Beat Street, Beat Street Breakdown, Body Rock, Boogie Down Productions, Breakin, Bring the Noise, Buffalo Gals, By All Means Necessary, Cavern, Children's Story, Chuck D, Coldcut, DJ Spinderella, Doug E. Fresh, Eric B. & Rakim, Fat Boys, Flava Flav, Follow the Leader, Give It A Rest, Grandmaster Flash & The Furious Five, Grandmaster Melle Mel, Herbie Hancock, Hip Hop History, Human Beat Box, Ice-T, It Takes a Nation of Millions to Hold Us Back, Jail House Rap, Jam On It, Kill That Noise, Kraftwerk, KRS-One, Krush Groove, La Di Da Di, Licensed to Ill, Liquid Liquid, Malcolm McLaren, Marley Marl, MC Lyte, MC Shan, Microphone Fiend, My Philosophy, N.W.A., New York New York, Newcleus, No Sleep Till Brooklyn, Paid In Full, Part Time Suckers, Peter Piper, Public Enemy, Push It, Queen Latifah, Raise the Roof, Rebel Without A Pause, Rightstarter, Rock Box, Rockit, Roxanne Roxanne, Roxanne Shanté, Roxanne's Revenge, Run-DMC, Salt-N-Pepa, Self Destruction, She Rockers, Slice, Slick Rick, Slow and Low, South Bronx, Stop the Violence Movement, Straight Outta Compton, Sucker M.C.'s (Krush-Groove 1), Surgery, Sylvia Robinson, The Art of Noise, The Bridge, The Bridge is Over, The Furious Five, The Juice Crew, The Show, Tour de France, Trevor Horn, UTFO, Walk This Way, White Lines (Don't Do It), Wild Style, World Class Wreckin' Crew, Yo! Bum Rush the Show
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Reading Well: Tuesday Nights in 1980 by Molly Prentiss
The most compelling writing in Molly Prentiss‘ debut novel, Tuesday Nights in 1980 (2016), surrounds a synesthetic writer, whose descriptions of the New York art scene in the late 1970s and early 1980s are fantastically vivid and surprising. He is … Continue reading
Reading Well: Two Quick Things
Every once in a while, I encounter an artist whose aesthetic fits my own in what feels like a profound way, someone that becomes an instant and enduring favorite. In the late 1990s and early 2000s, Tord Gustaven‘s piano trio … Continue reading
@The Movies with PopPop: Detroit
Detroit is a 2017 movie directed by Kathryn Bigelow (of Hurt Locker fame) that reconstructs elements of the 1967 12th Street Riot – or Rebellion if you prefer. It centers on the events at the Algiers Motel, where after suspicion … Continue reading
Reading Well: Norse Mythology by Neil Gaiman
I’ve been looking forward to Neil Gaiman‘s Norse Mythology (2017) since it was announced. As long as your expectations are correct, it doesn’t disappoint. Here’s what I mean: this is a very faithful retelling of the well-known tales of Norse legend–the origination … Continue reading
Reading Well: Grief is the Thing with Feathers by Max Porter
Max Porter‘s Grief is the Thing with Feathers (2015) lives somewhere between a prose poem and a novella, and, in fact, at times feels like the script for a fascinating stage production. It is a short, stunningly creative, and highly evocative … Continue reading
Reading Well: Lagoon by Nnedi Okorafor
We are all about to be submerged by a tidal wave of Nnedi Okorafor. Who Fears Death (read before I started Reading Wells, and highly recommended) is in production by HBO, her Binti series is a critical favorite, etc. The third novel to be … Continue reading
Posted in Culture
Tagged Binti, Lagoon, Nnedi Okorafor, Reading Well, The Book of Phoenix
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Reading Well: The Stars are Legion by Kameron Hurley
Kameron Hurley‘s The Stars are Legion (2017) is a good old-fashioned space opera featuring an exclusively female cast of characters. There is a groundhog-day element at work, as the protagonist has repeatedly failed in an attempt to seize control of (some significant … Continue reading