@TheMovies with PopPop: The Local Stigmatic

Years ago, Al Pacino made a few films, sometimes directing as well as acting, that he never released for theatrical showing; some were shown to friends or at a festival or museum, but never generally released.  A while ago, he released a DVD box with 2 or 3 of these.  (The films are mentioned in an interesting piece on Pacino in September’s Smithsonian magazine; that’s where we learned of them.)

Last night we watched one of those, The Local Stigmatic, made in the late ’80’s.  It’s just under an hour long and is essentially the filming of an enactment of a mid-60’s one act play by Heathcote Williams.  It’s a play that Pacino had acted in from time to time over the 2 decades before filming it, and stars him, Paul Guilfoyle and Joseph Mayer.

The acting is wondrous; the language rich; the intensity extraordinary — the play’s not so pretty!  A couple of very smart, very working class, very knowledgeable about both dog racing and stage and film stars, very violent Brits, talk, tell anecdotes, go out, drink and beat up a guy.

If you like Pacino, dark humor and great dialogue, you’ll relish the movie; similarly, if you like mid-’60’s working class, angry young man British drama!

If you get the DVD, there’s both a prologue and an epilogue of Pacino talking about the play and the film.  Make sure to watch both.

Posted in Culture | Tagged , , , , , | Leave a comment

Two Down, Said Sisyphus

This morning, I finished chapter two of In Time (working title only).

Finished is an odd word: the chapters are in what I call roughs, meaning they are barely fit for consumption, and I would suspect bear little resemblance to whatever their final product might be. Still. Roughly 35,000 words, from the first sentence of

The cold ground, crusted with snow, cut across Elliott’s cheek like gravel.

to the last of

The sound never left his throat and as his head fell away from his body, the rain puddled the blood and carried it away towards what was left of Markur’s front door.

Um. Yeah.

In between, I’ve met characters expected and not, and I look forward to figuring out what Elliott, Markur, Sara, Uzzi, Calyx, Ronnell, and Cabe have in their futures. Maybe not so much Ronnell.

This is really, though, just a marker In Time (heh), and a small hooray for me for getting this far.

Posted in Writing | Tagged , | Leave a comment

@TheMovies with PopPop: Stories We Tell

Stories We Tell (2012) is a fascinating film, a documentary by Sarah Polley trying to capture “the truth” about her family.  Her mother, actress Diane Polley, died of cancer when she was a teenager; her father Michael Polley is quite recognizable (from Slings and Arrows among other efforts); and at least one of her siblings is also an actor.  Over the course of some years, Sarah discovered that her father, Michael, was not her biological father, and the movie in many ways is her search for her father, an attempt to reconstruct what was going on with her mother when she and her biological father had the affair that resulted in her conception, and how that discovery affects all those involved.

Much of the movie is told by Michael relying on a text he wrote of how it affected his life, though there is also much about its impact on Harry, the biological father, Sarah’s siblings, and Harry’s family.  There is some “recreation” shot to look like old Super 8 home movies.  The questions of truth and reality are handled with wonderful richness and nuance and leaves one with a greater realization of just how complicated all families are!  A first rate use of 100 minutes!

Posted in Culture | Tagged , , , , | Leave a comment

@TheMovies with PopPop: Cloud Atlas

From the Archives, July, 2013

Cloud Atlas is a very well made movie that attempts to adapt a very complicated novel that I assiduously avoided reading (though another novel by David Mitchell, The Thousand Autumns of Jacob de Zoet, is among my favorite reads of the last few years). The novel (and film) deal with six distinct — though related by character, theme and impact — stories that take place over a several hundred year span from the mid-1800’s to an unidentified post-apocalyptic future. The movie is long, just under 3 hours, and has a curious cast — Tom Hanks, Halle Berry, Jim Broadbent, Susan Sarandon and many others — each playing multiple roles in the various stories, at multiple ages, with multiple layers of make-up.

Supposedly it’s an exploration of how acts of kindness or evil ripple through the ages with both intended and unintended consequences and how curiously things play out. The six stories interweave nicely and it’s far easier to follow than I’d anticipated. Whether it all makes sense in terms of action and consequence would take a far more careful rewatching.

In and of itself, it’s quite enjoyable, and certainly an ambitious attempt to adapt a quite complex novel to film.

Posted in Culture | Tagged , , , , , , , | Leave a comment

Earth Matters: The Post

I’ve been asked by a few people if my thesis was available online.

Now, it is. Earth Matters [The Whole Shebang]

Currently, I think the total population who have claimed to read it is fewer than a half-dozen. I can’t imagine that population growing much, but stranger things have happened. Still, some people might be curious enough to dip a toe in. So, I’ve uploaded the introduction (which has the requisite overview of the rest of the material) and the conclusion (which has some bits I’m proud of, including a summary of why technology has failed us and why that leads directly to our fascination with the zombie apocalypse).

Here are those bits: Earth Matters [Introduction] & Earth Matters [Conclusion]

Posted in Writing | Tagged | 1 Comment

@The Movies with PopPop: Lee Daniel’s The Butler

Occasionally, PopPop produces fantastic, concise movie reviews that should not be lost in e-mail archives. They should be lost in blog archives. So, here they are.

The film is based very loosely on the story of Eugene Allen who served over 30 years in the White House under 8 presidents. It’s well made and emotionally powerful. Daniels has woven an interesting tapestry made up of the civil rights movement from Little Rock to apartheid, and the butler’s (Cecile Gaines in the movie) personal history and growth. The threads are made explicit through the life of Gaines’ son who goes from Fisk student to sitter-in, to freedom rider, to black panther, to apartheid protester to congressman — and finally to reconciliation of the world views of father and son. In some ways, too neat, but it works!

The acting is first rate. The leads are great and the approach to the presidential interpretations respectable. You’ll probably cry at least once! Go see it if you haven’t.

Posted in Culture | Tagged , , , , | Leave a comment

Hello world!

Hello? Is this thing on?

Posted in Uncategorized | Leave a comment